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Myalup Dunes after sunset, April 23 2012
Showing posts tagged field recording
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contact mic recording of wind on a dead pine tree at the Lithuanian coast.
Really enjoyed playing a short ambient set at Union Chapel, Islington last Saturday, in support of the Wayside & Woodland Recordings showcase. A stunning place for early afternoon sets by My Autumn Empire, a band led by epic45’s Ben Holton, E.L. Heath and P.Manasseh.
Next Friday we celebrate the launch of My Autumn Empire’s incredible classic pop project II at Ikon Gallery, Birmingham, with the same line-up.
Tracklist:
1 Introduction / Field Recording
2 MAE VS The Nature Table - BBC Cannock Chase
3 Belbury Poly and Moon Wiring Club - Portals and Parallels
4 Candy Claws - Warm Forest Floor
5 Julia Holter - In The Same Room
6 (Field Recording)
7 Geotic - Unwind
8 epic45 - Ghosts I Have Known (Reworked by The Toy Library)
9 (Field Recording)
10 Bibio - St Christopher
11 Charles Vaughan - Norfolk Branchline
12 Max Richter - A Song For H _ Far Away
13 The Caretaker - Tiny Gradiations of Loss
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Crack, hiss and pops of a traditional wood burning stove recorded on a December night in Sergiyev Posad, Kozya Gorka area.
Ludwig Koch
Played 426 times
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Springtime. Sunny day. -1 degree of Celsius. Borderline of the melting snow on the sun. I don’t know from where these cracking, gurgling sounds come, but they are. Contact microphone recording.
Survey of English Dialects - Accents and dialects | British Library - Sounds
A 60-year-old Yorkshire housekeeper explains how to make different types of bread. 1955 recording from the British Library’s Survey of English Dialects.
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With the sea breeze being funneled between New Zealand`s major islands, and then funneled some more by nearby hills, New Zealand`s capital is notorious for its strong winds. Huddled in a street corner, we hear litter being blown past, and the cityscape reverberating between stone buildings.
(via Strangers | kesh)
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Raw Recording mix of all of my wind recordings from 2010 - 2011. Captured throughout the Northwest of USA.
Absolutely no effects were used and all sounds captured straight to a ZOOM H2 recorder and mixed together seamlessly.
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New treated audio track from wind blowing across Portland Marina.
